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Pascale Jean (b. 1999) is a French-Canadian artist based in Montréal, with roots in the boreal forests of the Nord du Fjord-du-Saguenay. Working across oil painting and sculpture, she constructs hyperbolic fictional encounters in which bodies, objects, and forms of life become vehicles for examining the systems through which we classify what is foreign, vulnerable, or undesirable.

 


Drawing from diaristic archives, Jean develops fictional environments where the familiar becomes strange. Vegetation, saturated fields of colour, everyday objects, insects, and distorted bodies produce scenes that oscillate between intimacy, absurdity, and threat. Through entanglement, shifts in scale, and unexpected juxtapositions, these encounters destabilize distinctions between protection and destruction, rejection and fascination, and control and coexistence.

Oil painting situates these encounters within the historical language and aesthetic conventions of painting, while sculptures made exclusively from recycled paper pulp are shaped and painted to evoke ceramics, transforming a discarded material into objects that appear precious. Across both mediums, Jean explores how material and visual conventions influence what is perceived as valuable, familiar, strange, or worthy of attention.

Play, humour, and the grotesque allow Jean to disrupt these systems of recognition without resolving them. Figures and forms that might otherwise provoke rejection become vulnerable, strange, and familiar, creating a tension between attraction and unease that asks viewers to reconsider their own instinctive judgments.

 


Her work has been exhibited in Canada, Japan, France, and Mexico, and featured in publications including Hyperallergic and CBC Arts.

Photo by Gabriel Neamtu, courtesy of Croyds Gallery

"[Pascale's work is] immediately compelling in the way it operates through contradiction. It seduces through colour and play, yet unsettles through distortion, fragmentation, and the psychological charge embedded within figures. There is a strong sense that [Pascale is] not simply depicting subjects, but constructing encounters and moments where the viewer is pulled into a space that feels both intimate and unstable."

Kurt Beers, director and founder of Beers London

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b. 1999 Saguenay, Canada

Lives and works in Montreal, Canada

Selected Solo Exhibition

2025      Jeu d'Ego - Maison de la Culture Marie-Uguay - Montreal, Canada
 

2025      Cucas Vienen de Noche - Casa Lü Sur - Mexico City, Mexico


2024      Women, Mukade, and Little Deaths - Studio Kura Gallery - Itoshima, Fukuoka Prefecture, Japan

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Selected Group Exhibition

2026     Echos – Aussenwelt.co – Montreal, Canada - for Montreal's Nuit Blanche

2025     Traces & Returns - JANO Gallery –  Montreal, Canada

2025     Festival Hors Service - Ateliers 3333 – Montreal, Canada - for Canada’s Culture Days

2025     Foire Parallèle - Art fair, presented by Croyds Gallery – Montreal, Canada

2024     Soft Bodies, Hard Gaze (duo ) - Good Sport Gallery - London, Canada

2021     New and Noteworthy - Ho Tam Press – Vancouver, Canada

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Residencies

2025      JANO Gallery - Montreal, Canada (6 months)

2025     Casa Lü Sur - Mexico City, Mexico (1 month)

2024     Aussenwelt.co at l'Union Française de Montréal - Montreal, Canada (3 months)


2024     Studio Kura - Itoshima, Fukuoka Prefecture, Japan (1 month)

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Education
 

2021     Bachelor of Fine Arts with excellent achievement distinction – Emily Carr University of Arts + Design - Vancouver, Canada 


2020     International Exchange – Fine Arts – Tim Eitel Studio -  École Nationale Supérieure des Beaux-Arts - Paris, France

2018     Diploma of College Studies (DEC) - Visual Arts - CEGEP de Jonquière
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Grants, Award & Prizes
2024       Action Culturelle et Artistique - Awarded by LOJIQ for the Soft Bodies, Hard Gaze duo exhibition in London, Canada
2023       Action Culturelle et Artistique - Awarded by LOJIQ for the Studio Kura residency, in Itoshima, Japan
2020       Friends of Emily Carr - Awarded by Emily Carr University for artistic dedication and exceptional potential
2019       Brissenden Scholarship - Awarded by Emily Carr University to recognize great creative potential in the visual arts, specifically
                highlighting works in painting or sculpture

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Notable Collections

2026      City of Montreal - Montreal, Canada - Official announcement in January

2024      La Distillerie du Fjord - Saint-David-de-Falardeau, Canada

Private collections in Canada, Australia, France and Mexico

Selected Press

2025      Ryan Alexander Diduk for Niche Montreal, « The Immediate Data of Consciousness »

2025      Noémi Lincourt for Narcity

2025      Lea Collins for CBC Arts, " June logo is a last ‘symbolic’ collab with the late artist, Preston Buffalo "

2025      Claire-Marine Beha, for Sous La Fibre  " Être artiste sur les réseaux sociaux : comment concilier création et promotion? "


2024      Abstract State - November Publication


2024      Grace Qiu for Verdant Journal - Spring-Summer 24

2024      Lakshmi Rivera Amin for Hyperallergic " A View From the Easel "

2024      Suboart Magazine Nr23 - p.124-125

2018      DUSFRENE, Jacques for Ici Radio-Canada – Boulevard du Pacifique 

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Collaborative Projects

2025     CBC Art – June Logo 2025 - Toronto, Canada

2024     Artch & Céline Bureau – Art Critique – Montreal, Canada


2020     Eitel Studio at L'ENSBA – Confinement Solidaire charity auction for ADSF – Paris, France


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Selected Talks & Jury

2026     Maison de la Culture Marie-Uguay - Guest artist for the reveal of the selected artists of the  Ma Permière Maison de la
              

               Culture program - Montréal, Canada

2026     Maison de la Culture Marie-Uguay - Jury member - Montreal, Canada

2026     Arsenal Contemporary Art - In Conversation with Maskull Lasserre - Montreal, Canada


2024     Studio Kura – Artist Speaker – Itoshima, Japan

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© 2023 par Pascale Jean. Créé avec Wix.com

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